Tuesday, March 31, 2009

The One That Got Away

I've been wanting to post about this for a while, and I'm not just doing it. Not by any specific event, but really I have been chomping at the bit to update with a Junior Editor Spotlight and am awaiting answers from my first guest (there've been some delays due to vacations and pretty much an insane amount of work at the office right now).

Anyway, I wanted to write about "the one that got away." That is to say, those manuscripts, and every editor has them, that they loved but just couldn't buy for some reason. I wanted to talk about it, both because it is a part of the business that is really sad for us, but also to show those aspiring authors out there that sometimes you're not the only ones who are sad when an editor can't buy your book. And that is something to remember - not all rejections mean the editor didn't like your book. Sometimes we loved it but there are other factors.

Editors of all levels do A LOT of reading and it is a constant struggle to keep up with the seemingly neverending piles of potential published books. Most of them we just won't connect with for some reason - either they need way too much work, or they aren't right for our list or they aren't really a children's novel. So when we find those projects that really call out to us, it is a really exciting (and scary) time for us. I say scary because there are a lot of steps (I won't bore you with the details, since I've described them in previous posts) and at any one of those steps, we could be given a reason why we can't take this book any further.

There have been several times when I've really loved a project and couldn't buy it. Once I brought a project to my weekly editorial meeting to get extra readers. They agreed it was a great story but that it needed a lot of work. So I offered to do a revision. When I got the revision back, we discussed it and decided it still needed too much work to take on as-is, so I offered to do another revision. Unfortunately, at that stage, another editor had made an offer on it and it went somewhere else. Another time, I brought this great project to editorial meeting and my readers had positive feedback but thought it needed work. I did the revision with the author and thought it turned out great, but when I brought it back to edit meeting, my team just didn't think it was working and I had to pass. I've also seen books go all the way up to the Publications Committee meeting, with multiple editors really excited about a book and the Editorial Director's support...and they just don't like it, or get it, or think we can publish it well...and you can't argue with the Pub Comm team. They know they're shit.

It's quite sad when you lose a project, either having to reject it or seeing it go to another house. But those are also the projects that can become your "I toldja so" books. Those books that go somewhere else, do well, and you can forever say, "I toldja so" to your team. I have a few of those, none that have hit the bestseller lists or won major awards yet, but we'll see. And when you lose those books, no matter how they do, it's always great to see how that other publisher handles that book and watch it come to life from an outside perspective.

So for aspiring authors who think every rejection means we don't like your book---just remember, sometimes it hurts us as much as it hurts you and sometimes we really don't want to reject it either. But publishing is a team effort and if the team can't get behind a book, it's better off somewhere that will know how best to support it or that believes in it more. And that editor who had to reject you will be out there, rooting you on as an industry cheerleader, and probably bugging your agent or editor for an ARC when they come in.

13 comments:

Jill Corcoran said...

Fantastic post.
Thanks for sharing.

ZC said...

Sad =(

Tara Maya said...

I had to chuckle at the "Itoldyaso" books!

taralazar said...

Great post. It's so interesting to hear the editor's perspective. Your post serves as a reminder that sometimes rejections are all business and not emotion--and thus, we can't let our own emotions get the best of us. Just keep submitting, just keep going, and hope that one day, we're an "itoldyaso" title. Thanks for sharing your perspective.

cabadov said...

I never really thought about the editor's side. Puts a different perspective on things. Thanks for sharing. Cheers

Paul Ă„ertker said...

Lots of heart. Thanks for posting.

Urban Superhero said...

Your a funny, funny dude, and honest. I love it. I wrote a book I need someone like you to give me your opinion/ Check me out on Youtube at "urbansuperhero"
Keep bloging!!
DANGERMAN

Emma Newman said...

I second Tara L - it's so helpful to hear about the experience from the other side - we aspiring authors are often so caught up in our own struggle that it's easy to forget that struggles also take place on the other side of the wall.

Though I must admit, I don't know whether to be heartened or deflated! Ah well, onwards as ever.

zac said...

please update =)

books i'm excited for:
20 boy summer
hatelist
ash
and the new Sara Zarr! the cover is up on amazon and i <3

taralazar said...

Methinks it's about time for a new blog post.

T.S. said...

It definitely is time for a new post. I have one written but I'm running it by someone who knows better because I want to make sure it's appropriate first. :-)

Jill Corcoran said...

Oh, I definitely want to read it if it is inappropriate:)

Diane Farr said...

Thank you for this post. I was one of your almost-authors, once upon a time! My WICKED COOL ended up at Cerridwen Press, if you're wondering. But thanks for reading it -- twice! -- and giving it the ol' college try.